![]() ![]() It is warmer, with a little more width than you’d expect from a Tele’s bridge pickup. Fender promises twang but this isn’t Pete Anderson levels of twang. Park yourself on position one for a more traditional electric guitar experience, but don’t necessarily expect a traditional Telecaster experience. In a sense, this is a sound that almost exists outside of the spectrum of acoustic/electric tones, and is sure to support pedalboard experimentation. The sound is just coming from the piezo and as you turn the blend control it adds drive. Here is where the true hybrid tones are, and as such, there are fewer references for what we are hearing. LFO: 1 x Low-Frequency Oscillator (0.The Lo-Fi voicings are interesting. VCO: 4 x Voltage-Controlled Oscillators (0.1 Hz to 20 kHz in 6 Overlapping Ranges) Number of Voices: 4-Note Polyphony (with Paraphonic Mode) Comprehensive MIDI implementation with MIDI channel and Voice Priority selection. ![]() Stereo outputs featuring servo-balanced output stages for highest signal integrity.External audio input for processing external sound sources.84 controls give you direct and real-time access to all important parameters.Noise generator dramatically expands waveform generation.Dedicated and fully analogue triangle/square wave LFO.Switchable low/high pass filter mode for enhanced sound creation.Arpeggiator with wide patterns for great sound effects. ![]() Easy-to-use voltage controlled 32-step sequencer with 64 sequence locations.Distortion circuitry adds insane spice and edge to your sounds.Amazing stereo chorus based on authentic circuitry.Classic 24 dB ladder filter with resonance for legendary sound performance.5 variable oscillator shapes with variable pulse widths for ultimate sounds.Pure analogue signal path based on authentic VCO, VCF, and VCA designs.Ultra-high precision 0.1% thin film resistors and polyphenyline sulphide capacitors.Authentic reproduction of original D-type circuitry with matched transistors and JFETs.37 semi-weighted full-size keys featuring velocity and after-touch functionality.4-Voice polyphonic/paraphonic design with mono, unison and polyphonic mode.Analogue synthesiser with quadruple VCO design allows for fat music creation.The Behringer Poly D includes a power adapter. Route the velocity to the VCA or Filter for expressive playing or interface with other external analogue CV gear for even more sound design potential. The rear panel provides stereo 1/4" main outputs, a 1/4" external input for processing, and a variety of 1/4" CV inputs and outputs to add additional control over the instrument. Other notable additions to the Poly D include an arpeggiator with 8 patterns, a 32-step sequencer with 64 memory locations, two types of analogue chorus, and an analogue distortion circuit to add spice and edge to your sounds. What's more, the filter can be key-tracked for realistic recreations of acoustic instruments. The filter can be switched between high-pass and low-pass, while the dedicated envelope allows the filter to be shaped over time. At the heart of the Poly D beats the highly flexible 24 dB ladder-style filter with controls for filter cutoff, emphasis, and contour. ![]() Additionally, all 4 VCOs can be adjusted across a wide, 6-octave range (LO, 32', 16', 8', 4', and 2'). VCOs 1, 2, and 3 include triangular, sharktooth, saw, square, wide pulse, and narrow pulse, while VCO4 features triangle, reverse saw, saw, square, wide pulse, and narrow pulse. The four VCOs offer a wide range of waveforms for sculpting sound. The Poly D offers a wide range of playable modes including mono, unison, and poly. The synthesiser utilises matched transistors and JFETs, precision 0.1% thin-film resistors, and polyphenylene-sulphide capacitors, which allow for flexible sound-shaping capabilities resulting in super-fat basses and lead tones, mind-bending effects, and progressive organ sounds. Designed for the musician, producer, or sound designer looking for that classic ladder-filter sound of the 70's, the Behringer POLY D 4-Voice Polyphonic Analog Synthesizer is a quad-voice polyphonic, four-oscillator powerhouse with a pure analogue signal path, 37-note full-sized semi-weighted keyboard, and built-in distortion and chorus effects. ![]()
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